- COLOR FINALE FINAL CUT PRO FOR FREE
- COLOR FINALE FINAL CUT PRO HOW TO
- COLOR FINALE FINAL CUT PRO FOR MAC
- COLOR FINALE FINAL CUT PRO PRO
- COLOR FINALE FINAL CUT PRO TRIAL
Let’s check the Matte view by option-clicking the slider. As you can see, the entire sky is now selected. I’ll shift-click one more time in this area at the bottom. Notice that more sky pixels are added to the matte. A plus will appear next to the eyedropper to indicate you will be adding to your current matte selection. Move the eyedropper over the lower section of the sky, then hold down the shift key. As you can see from this matte, there are sections of the sky we still need to add to the matte. White pixels are the current pixels that are selected and represent the region we want to target our correction. If you hold down your option key, then drag on the softness slider a matte view will appear in the Viewer. Don’t make the circle too large or you’ll be including color values you don’t want to include in the mask – like the palm trees. The size of the outer circle determines the range of variation in the selected color. If you drag outward, you’ll see concentric circles appear. Only blue pixels are displayed and the rest of the image is muted in gray tones. As you’ll see, even if your initial selection is not perfect, you can add to your sample later.Ĭlick and hold with your mouse. I suggest sampling in the area where there’s the greatest amount blue pixels, in this case, toward the top of the frame between the palm trees. The question now becomes, what section of the sky should I sample? There are darker more saturated pixels at the top of the frame and lighter, less saturated pixels at then bottom of the frame. To sample the sky color select the eyedropper in the Color Mask section then move it over the image in the Viewer. With the playhead parked over the clip, open the Inspector. But in this case, instead of removing the sky, I’m going to make it more vibrant. I want to use a color mask to isolate just the sky so it can be altered using the Color Board.Ī Color mask is similar to chroma keying where the background of shot is keyed out and replaced with a different background. Here’s a a shot of your typical day in Los Angeles.
COLOR FINALE FINAL CUT PRO HOW TO
Purchase the looks you love, and you won’t need to worry about ever color grading.In this episode, I want to show you how to give your skies more punch using a Color Mask. He also sells packs of super high quality LUTs. And Daniel not only makes tutorials about the whole video shooting and editing process.
COLOR FINALE FINAL CUT PRO FOR FREE
He was actually our top recommendation for free color grading tutorials. One of our favorite filmmakers and YouTubers is Daniel Schiffer. Note: understanding the difference between color grading and color correction is essential for editors. All you need to do is your color correction and the plop on the appropriate LUT to achieve the look you want. LUTs are an easy and efficient way to color grade footage. If you’re ready to purchase, there are three levels to consider:įor editors looking for a tool that can be used across multiple platforms, CinemaGrade is a top option.
COLOR FINALE FINAL CUT PRO TRIAL
There’s a trial version of CinemaGrade for new users to try.
COLOR FINALE FINAL CUT PRO FOR MAC
One downside to CinemaGrade is that it’s only available for Mac users.
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Some of the main features of CinemaGrade include preset Hollywood film grades, a highly intuitive grading tool right in the viewer, and an intuitive assisted workflow.
COLOR FINALE FINAL CUT PRO PRO
It’s also compatible with Premiere Pro and DaVinci Resolve. Click here to start a FREE trial of Color Finale 2.ĬinemaGrade is a color grading plugin that works with Final Cut Pro X. It’ll cost you $99 for the basic version or $149 for the pro version. And, if you’re up to the challenge, you can create and save LUTs that can be used in later videos.Ĭolor Finale 2 is also reasonably priced. Plus, Color Finale 2 allows creators to create masks for detailed edits. And all of these edits can be applied in layers that can be easily rearranged and themselves manipulated. Editors can manipulate color curves, color wheels, HSL curves and vectors. This plugin has everything an editor needs. Three are plugins, one is a LUTs package and the last one… well, the last one you already have!Ĭheck out these tools for coloring grading your Final Cut Pro X videos and get to creating! Or, if you’re not totally tied to Final Cut Pro X, consider these color grading tools that the pros love! Best Tools for Color Grading in Final Cut Pro X 2 FCPX Color Grading Plugins Color Finale 2īy far, our favorite plugin for making color grades in Final Cut Pro X is Color Finale 2. And for good reason! It’s got an intuitive design, plenty of features and renders final project quickly. Color grading Final Cut Pro X videos, however, is sometimes best done with help.īelow, you’ll find five awesome tools for Final Cut Pro X color grading that you can try today. Final Cut Pro X is one of the absolute most popular video editing platforms around.